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a love lost in letters i never got to write, spelled out in fours:

a love lost in letters i never got to write, spelled out in fours:
one syllable rolls off
my tongue, and i
swear it’s ‘love’. but
it’s only your name
in my doorway, shaking
my mom’s hand confidently.
in the frangipane of
almond lattes, astrology, and

the custard shop i
almost stopped the car
for. in firewood at
the thrift store, or
whatever your dad lore
was supposed to be.
in the pouring rain
you walked me through,
like the movies we’ll
never watch. the last
letter leaves my lips
like a highlight reel
in midair; i see
your thumb stroke my
cheek, turning red as
an old lady glares
at my blue eyes,
tinted green with envy
because of a moment
she stole. i see
my license, the smile
i flashed. i see
the way that yours
dropped when i thought
i had something in
my teeth. i scatter
the strings of denim
i ripped off my
jeans; i shuffle your
playlist, carefully, to replay
the chords you struck
so that when you
see me right back,
staring daggers, it bleeds.

Poem by Julia Lombardo

Photo by Adam Strong


Julia Lombardo is a full-time magazine editor who always finds ways to keep up their creative writing endeavors. They have numerous poems published across Mosaic Magazine, Short Vine Journal, and Hog Creek Hardin Literary Journal. They enjoy reading YA fiction, going to concerts, volunteering around their city, and spending time with friends.

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Threshold 

The dark, always an undemanding host, 
fell over the room 
like strips of gauze. 
It blurred your features into smoke. 
When morning comes
you may no longer look like anyone at all. 
The bedsheets melted slowly into the snow, 
the wallpaper peeled away steadily from the night. 
There was the lamp, delighted to be needed,
telling me the window was not so lonely after all. 
I closed my eyes, your face easing into focus,
and wondered what the house looked like with both of us inside.

Image by Adam Strong

Poem by Emily Hegedus

Emily Hegedus works and studies in the Pittsburgh area.

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Situationships 

“If we’d stayed together we’d be like them.”

We were both looking at the couple in the empty space between the jacked up Silverado and shiny Prius. 

We only saw eye to eye with our clothes off, but on this Sunday afternoon in the CVS  parking lot we recognized the ritual we’d eavesdropped into. 

Backpacks, sleeping bags, two stringy haired toddlers. The woman oozed seduction in her distressed straight cigarette jeans and tight white tee. Still in his Carhartts he looked as if he’d been drinking since he punched out on Friday. 

“Well at least we’d have something between us.”

Fiction by Dave Nash

Image by Adam Strong

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Gone

It’s been a year. She hugs her dog as she cries. Someone sings about sitting on the dock of a bay,
wasting time. How much time was wasted with her mom. A whole year gone now. Sometimes it
feels like yesterday. Sometimes it feels like seven years have passed. But life goes on. It has to.
Dad works his 9-to-5 job at the age of 75. Her brother finds houses to list, even in a troubled
market. Her husband is in another state, teaching others. She needs to get tires for her car. The
eclipse is today. Mom’s still gone.

Laura Shell quit her day job in August of 2023 to become a full-time writer. She has been published in numerous online and print publications. Her anthology of paranormal stories, titled The Canine Collection, was just released. When she isn’t writing and reading short fiction, she jabs snarky remarks at her husband of 35 years.

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archipelago of knots

oh,
the time we
spend
blindly in
orbit with our
selves
when
wherever we are,
just down the
hall, a
skeletwin twists
in
the stillness.

Poem by Stephen Ground

Photo by Adam Strong

Stephen Ground is a writer and filmmaker based in Treaty One Territory (Winnipeg, Manitoba).

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Sunday type of Love

We have a living room type of loving,

a green sofa with big open arms

hugging our bodies closer,

two floating spheres of feelings levitating above our lips,

with every kiss,

sinking further into the warmth of our mouths,

mutating themselves to pink raspberries,

I am taking small bites from that future,

tasting it with an animalistic sense of inevitability,

and the sweetness

molding into a new form,

melting like soft soy candle wax,

underneath the blues

and the jazzy artificial lights.

My Sunday type of love, slow and sexy,

without words you are saying 

“Baby I get it”.

poetry by Joana Figueiredo

photo by Adam Strong

Joana Figueiredo (she/her) is an experimental surrealist poet and writer, fascinated with everything, especially if that something is flowers, coffee, literature or the dark arts. She is currently channeling Circe and Hekate, and feeding treats to her black dog. 

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FIVE BUCKS

to whoever finds the damn T.V. remote-
found wedged impossibly between
the cushioned cracks of a worn
pleather couch. Five bucks to whoever
will bring me my damn purse-
a faux Gucci bag, worth less than
the price of its discovery, found
forgotten on the sticky leather
in a hot, unlocked car. Five bucks
to whoever mows the damn lawn-
whose green blades stretch impulsively
upwards only to be cut down, their lives
lost and found in a measly five bucks.

Poem by Shylowe Sortman

Photo by Adam Strong

Shylowe Sortman is a 21-year-old English graduate of Flagler College in Saint Augustine, Florida. Shylowe spends her time working on her van and occasionally meeting complete strangers in grocery store parking lots to sell tools via Facebook Marketplace because she likes to live on the edge. Shylowe’s other work can be found in Midsummer Magazine, and upcoming in FLARE: The Flagler Review, and in DenkSport: Art of Julius Maximilian University in Würzburg, Germany.

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Beginning Middle End


If I can only get through this plate of mussels and snails
Crack the lobster tails
If I can only run a few more miles to the finish line

That would be a sign
a symbol, a semiology
a secret scribble
If either of us could remember an orgasm
That bird nest full of eggs
The play-off game
The perfect paragraph
The story of me, Ken
Beginning, middle, end.

Poem by Martin Pedersen

Image by Adam Strong

E. Martin Pedersen (he/him), originally from San Francisco, has lived for over forty years in eastern Sicily, where he taught English at the local university. His poetry appeared most recently in San Antonio Review, Danse Macabre, Neologism, Quail Bell Magazine, and California Quarterly, among others. Martin is an alumnus of the Community of Writers. 

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A Blizzard After Voice Class, 2011

First love, is it
first love if the window
is orange and we both
are disappointed
making out after music class for twelve hours
adagio. I place my hands on your sweater and
step into snow.

Poem by James Croal Jackson

James Croal Jackson is a Filipino-American poet who works in film production. His latest chapbooks are A God You Believed In (Pinhole Poetry, 2023) and Count Seeds With Me (Ethel Zine & Micro-Press, 2022). Recent poems are in Beltway Poetry Quarterly, Little Patuxent Review, and The Round. He edits The Mantle Poetry from Pittsburgh, Pennsylvania. (jamescroaljackson.com)

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Early Spring

Phil predicts an early spring. They tell me it’s a foolish ritual; a rodent can’t predict the
weather. But who can? I didn’t know I’d move from one apartment to the next, leaving behind
puke-green TV dinners bought on tenuous credit and people telling me to pick myself up by the
bootstraps, while bosses talked about streamlining, budgets, fake regret.
I look out the window. Snow still covers the ground, tree branches naked and tender. But
there’s a patch or two of brown. And the moon escapes a cloud, shadows waltzing into my new
room. Perhaps the ice will break completely.

Flash by Yash Seyedbagheri

Image by Adam Strong

Yash Seyedbagheri is a graduate of Colorado State University’s MFA fiction program. His stories, “Soon,”  “How To Be A Good Episcopalian,”  “Tales From A Communion Line,” and “Community Time,” have been nominated for Pushcarts. Yash’s work  has been published in  SmokeLong Quarterly, The Journal of Compressed Creative Arts, Write City Magazine, and Ariel Chart, among others.