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crank the thin lizzy

 

Every night I wash all my dishes and all my clothes. Every last one of them. By hand, no less. So I know it’s done right. So I know they’re clean. How could I not? All I ever wanted was a normal life. Perhaps this is normal enough. Maybe there is no constantly comparing yourself with someone else. Maybe there is no normal – just what is. Maybe there are no truths anymore, no such things, old notions – lost and forgotten. Dusty. Horse-and-buggy thinking. Maybe there’s only opinions, perceptions, pretensions, and lies. Only artifice. I look at the couch, stained with our love. Is anything certain any longer? And in realizing this, I turn and heave a bar stool through the motel room’s sliding glass door and into the pool. Then I spin, point to Janet, and scream: “Crank the Thin Lizzy!!!”

Tony Rauch has four books of short stories published – “I’m right here” (spout press), “Laredo” (Eraserhead Press), “Eyeballs growing all over me . . . again” (Eraserhead Press), and “What if I got down on my knees?” (Whistling Shade Press).

He has been interviewed and/or reviewed by the Prague Post, the Oxford Univ student paper in England, Rain Taxi, the University of Cambridge paper, MIT paper, Georgetown University paper, the Savanna College of Art and Design paper, and the Adirondack Review, among other publications.

He is looking for a publisher for titles he has finished and ready to go.

Find him at:     http://trauch.wordpress.com/

 

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My Mind My Mine

Poem and art by Amy Christner

Amy Christner (she/her) is a visual artist and writer who grew up in Western Colorado, and lives in Portland, Oregon.

She studied Art and English Literature at Pacific University. After surviving a traumatic brain injury in early 2024, she decided to explore the healing process through the intersection of writing, paint and minerals. This piece is a love letter to her brain.

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Checker’s Son Walked Daily in the Forest


The wind arrives, splintering trees into giant toothpicks, the wood of split trunks left standing, sharp
points jutting upward, pith and cambium pale against dark trunks. Everyone gets the jitters, warning
flags up, supermarket packed—cars circle in the lot, drivers looking for backup lights, waiting for
parked cars to leave. At the checkout lines cashiers have lost that dedicated ebullience promoted by
management—they’re feeling frangible, too—the leer of the beyond facing everyone, wary of trees
bending, breaking, houses smashed, cars caught, streets impassible, littered with what’s left. The
checker in lane three worries about his son walking among the big trees, and the boy, quickened by
wind, delighted by the craziness of trees in it, is stayed by a tree falling, every inch of its 100 years
dedicated to an end as if it were a hereditary right, the scene as crazy as a picture by Ferdinand Léger
(e.g. “The part of Chart”), French painter, 1881-1955.

Poem by Mark Simpson

Image by Adam Strong

Mark Simpson’s work has appeared in a number of magazines. He is the author of Fat Chance (Finishing Line) and The Quieting (Pine Row Press). M Simpson has a Ph.D. in rhetoric and writing and currently farms several acres of forest, fruit, and vegetables. Current residence:  Whidbey Island, Washington.

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Two Women, One Screen

My boyfriend called and
Said he spotted a guy while driving
Face timing a woman and watching porn at the same time
The two women mirroring each other
Pleasure and convenience merging
Something darker than sympathy rose
I pretended it didn’t bother me
Dismissed it with the stresses and victories of our humble day
Parking brake on in a vacant lot,
The sun painted my cheek with her warmth
Shielding my eyes from the harsh presence
My amazement blocking our conversation
How women can be labeled as satisfaction over being
How intention and focus can impersonate
His possible girlfriend reviewing her pain and stress
Wins and excitement,
To be overrun by another girl
Opening her mouth and accepting a man’s exchange
On the same screen
Horror overrides my imagination, replacing visions of my boyfriend
Her lips robbing my future
My insecurities ripping his integrity
Letting myself unravel into the leather driver seat
Establishing a new fear
I sigh and tell him I love him
Maybe I am just like that woman
Sitting and accepting
Sharing the silence and the mystery
If I am enough
To be both women

Photograph & Poem by Mia Amore Del Bando 

Mia Amore Del Bando (she/her) is a Mexican/Filipino author, photographer, and creator. She was born and raised in Long Beach, California. Her writing and photography has been featured in over 30 literary journals including The Rising Phoenix Review, The Perch by Yale University, and the Millepiani Museum in Rome, Italy. Her poetry book Fragments of a Woman’s Brain by Nymeria Publishing is available on Amazon and Barnes and Noble. She is a faithful friend, difficult daughter, and selfish lover.

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Art by Eric Vanderwall

Photographs by Eric Vanderwall

Eric Vanderwall is a writer and musician. Eric’s fiction has previously appeared in memoryhouseThe Academy of Heart and MindThe AmazineThe Ekphrastic Review, and elsewhere. My nonfiction writing has appeared in the Los Angeles Review of BooksJuste Literary, the Chicago Review of BooksOn the Seawall, and elsewhere. Please visit www.ericvanderwall.com to learn more.

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What’s in a Name?


I said I would name my child “Driftwood,” “Drifter” for short. I was only having fun.
“You should take this seriously, you may be a mother some day and it’ll be up to you
how your child turns out,” Jane said. We were in sixth grade.
I liked naming things back then. I had lists of names for horses, dogs, cats, even
parakeets. Even children. The possibilities in naming, in deciding how someone would be known, is a mysterious and important task.
Maybe Jane was right. I should have said “Avery” which means counselor, sage, wise. Or
“Brannon,” strong, or “Sasha,” the protector and helper of mankind. Or “Vito,” alive, life.
Instead, I named my son for his father. Wendell. Wanderer. A better name than one that
means “stricken with an incurable childhood illness that will slowly leach away his life until
there is nothing left but the miserable shell of a child for whom death is a blessing.”
Better than my own name, Dolores, woman of sorrows.

Story by Epiphany Ferrell

Image by Adam Strong

Epiphany Ferrell’s stories appear in more than 90 journals and anthologies, including Best MicrofictionBest Small FictionsWigleaf, New Flash Fiction Review, and the Stoker-nominated anthology Shakespeare Unleashed. She lives on the edge of the Shawnee National Forest.

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Runaway

for Leah

I left Seattle because my friends were dying.
Nathan O.D.’d.
Rebel drove into a wall.
Pale Mary suicided down in California.
Kristal got killed in front of the Jack in the Box.
That was where Lindsey was shot the year before.
Mia — everybody knows about Mia.

Nathan O.D.’d. We were sitting around. We watched him shoot. He knew he was doing
too much. We knew, too. But none of us said anything, and Nathan … he knew what he
was doing. He was smiling, and then he fell over. The needle was still in his arm.
That was it, really. That was what told me to get out of Seattle.

What happened to Mia, too. Everybody knows what happened to Mia.

My mother thinks I ran because somebody molested me, or worse. Maybe somebody in
the family. Maybe my uncle or my cousin.

That never happened. I ran because my friends were dying.

Portland’s OK.

Micro Story by Jerome Gold

Image by Adam Strong

Jerrome Gold has published several books, as well as stories, essays, poems and reviews in a variety of journals, including Hawaii Review, Left Bank, Boston Review, Fiction Review, Chiron Review, and others. 

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Time Travel in Dreams

I am yet to exist—
Self, a construct,
Living my life before I do.
Soon enough,
Self must remember this upon waking:
Tears can turn dreams into—
The difference between
An empty stomach in a white-elephant home
And a full stomach in an unfurnished space.
Pity is a stench
You may wear for a while,
But even that can be transformed—
Into forgiveness of oneself.
Please.
Self carries too much guilt.
Shed some,
To walk a mile toward success.
This is the beginning.

Poem by Aisha Tahir

Image by Adam Strong

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Clone

while spinning the laundry,
i accidentally threw in my lower half.
because of a palm-sized patch of sunlight,
the countless leaf tips on my fingers itch.
like a half-rotted old tree,
surviving to the end feels unbearably tedious.
the heavy ceiling stretches out my feet under the sun.
putting on socks means
hiding soles that no longer exist.
even when i rise on tiptoes,
people pass me by.
all the shadowless things
begin to bruise as the night falls.
“child, why do you stare so quietly?”
the eyes in my stomach
are brimming with life.
an old cup flips over,
scattered lips neatly fold a heart,
& yet,
it’s not time.
i’m not dead.
coats hung on the rack scream & rush toward me.
“you were cut off yesterday.
how are you spreading through every door crack?”
wet footprints swell,
the dampness rising.
my nails, wrung dry,
emerge clipped—
shorter,
& shorter still.

Poetry by Jennifer Choi

Image by Adam Strong

Jennifer Choi is a passionate high school student. Her work has previously been published or is forthcoming in Altered Reality Magazine, Academy of Heart and Mind, and Culterate Magazine among others.

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Origin

I’m a girl to my horizon
before I turn into salt, a drained ocean
where the freeway ends.
I blast my thoughts into second person until
I transmute myself into you / yours / yourself
and when my vision doubles,
that just means more to see,
more to eat,
more of me, and
more of me means
a consolation, connotation, conversation.
We find our origin in fasting, fastening.
I’ll stay awake until I’m afflicted
with the nostalgia of immortality,
but right now I am taken in like air,
an impact without intent,
a spell swirling in a blue bottle
of unlit fireflies.
In my left hand,
the animals of prehistory. In my
right, a market where nothing will be sold,
fighting & losing & gaining & winning &
where did it start? (start: a spark, a snap, a breaking point)
Who is the origin?
(origin: the old, the deep, the dark-as-a-lake)
You are. I am. Sightless,
we are all stars and stars and
stars, did you know? Did you?
I hunt and eat out of jealousy.
I am the richest man in the world,
a girl and a boy and a one-hit wonder.
I have old gold
buried in my mouth and it says,
Create a dictionary of me.

Poem by Zadie McGrath

Image by Adam Strong

Zadie McGrath isa student writer from San Francisco, whose work has been published in Paperbark and Apprentice Writer and forthcoming in The Basilisk Tree.