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I Can See

I can see the parting riptide
Ten helpless swimmers reaching for the sun

A journey is a lone soul without romance
Countless hands lurching from the abyss

The only tree for a thousand miles
Wilting under a cruel violet sky

Highways sinking into the mantle

Lava forms in the shape of a crescent

Will you be waiting for me
One thousand three hundred and sixty miles away?
Or will I reach into the sky, the lone soul
Rotting underneath ecstatic skin?

We align under youthful sunshine
We agree under a thousand trees
Is there something more here?
Will that ageless wraith disappear?

The stars are screaming out
For me to bypass digital emotion
I don’t see you or feel you
Yet I am flowering and towering
Scouring the nations to find you

Scrape the rust off this mechanical heart
The pulse of the city now runs through me
And the skyline screams your name
Time and time again

Poem by Connor Galliard

Image by Adam Strong

Connor Galliard is a 24-year-old gay man from the UK. He is a data analyst who has written poems for almost a decade. His poems focus on the internal struggles he faces with mental illness, romance, and self-reflection.

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IN THE BATHROOM MIRROR

the reflection in front of me has tears 

streaming down tired eyes.

It’s a miserable girl, one who feels so empty 

at a young age. Too young..

It’s me.

A Broken Reflection.

Tiredness formed around my eyes.

I used to think they were filled 

with so much light, so much positivity.

I guess not.

Body is weaker.

I haven’t consumed anything in my body.

Starvation.

Mentality is six feet under the ground.

Where I’ll be rotting.

Soon.

Hopefully, at least. 

Depression.

“Do it…”

Repeats over 

and over and over

in my already  chaotic head. 

It sounds like a crowd in here,

attached to me, echoing off the walls, 

two words in a small space.

Do it,  Do it,  Do it,  Do. It..

Poem by Jocelyn Diaz Torres

Image by Jocelyn Diaz Torres

Jocelyn Diaz Torres is a High School student located in Vancouver, Washington

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crows hold grudges for 17 years


the clock restarts each time I catch
an accidental glimpse in the mirror –
green eyes
a pronounced cupid’s bow
stands out against
alabaster skin
a patch of freckles
the same double-bracket
collar bones peek out
of her hand-me-down
cardigan
my mother’s ghost greets me
in the morning, brushing my tender
teeth, enamel eroded by decade
without dental care. my tongue
travels over rough fillings and
receding gums, wondering how
long until I need a crown, too.
when my nail beds begin to bleed,
I envy her steroid-induced talons;
at what point did I learn to flinch
from my mother’s touch?
my fascia is made of trigger points,
tension and resentment
I am a body created to recoil.
crows are known to care for
the injured members of the flock,
but even they know a fledgling with
clipped wings
will only ever know suffering.

Poem by Maggie Bowyer

Image by Adam Strong

Maggie Bowyer (they/them) is a proud cat parent and the author of various poetry collections including Homecoming (2023) and When I Bleed (2021). Maggie Bowyer has published work in Chapter House Journal, Mantis, The B’K, The South Dakota Review, Querencia Press, and more. Find their work on Instagram @maggie.writes

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Art: Pat Bingham

Pat Bingham’s Art has appeared in several lit mags to include Tiny Spoon, Cheat River, Third Wednesday, Cold Mountain Review, among others. 

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Is it not Jealosy

Al arbol que das mas frutos es al que le tiran mas pierdas. The tree that gives the most fruit is
thrown the most rocks. In a firing range I sat still as an obelisk. Readying myself. Paloma blanca
redacted. In a city that knew a hundred years’ war. Shame was fury. The indolent still reaped. An
ampersand faded on the pale skin of grief. I saw not much haverstroo, Dutch for oat straw. In the
dark divorce. Sleepless cupidity. Swain at the bottomless youth lagoon. A spire of blue smoke
like a shadow following its mother down the foyer of mirrors. Dutiful as though death transpired.
Waiting in the anteroom. Yet no one queried after the blue sapphire snake twirled up the body of
una flaka blankita. Gentling the carnal girl. It is a watchman observing himself alone in a bed.
Giving names to thoughts. Agua ardiente in a house bucking. Feral darkness. I saw the shrew
winnow. Chasing its tail to swallow itself completely. Pallid wet fingers. There is nothing. An
abandoned church. A boy sees the shadow and names it. El agujero hondo, deep hole. He refuses
to pluck the water from its casing. Alone and denigrated. Days become nights. Poverty wets the
young man. And the nuns take off their habit. To drink the blood of Christ after mass.

Prose Poem by Harry Edgar Palacio

Image by Adam Strong

Harry is a numerous award-winning author: anthology featured in Remezcla, finalist for Fjords Review Book Competition, semi-finalist for Quartz Literary Prize and Willow Run Book Award. He has been accepted to be published in Pumpernickle House, North of Oxford, Mortal Magazine, Cesarus, Coffin Bell, Storm Cellar, Allegory Ridge, Wingless Dreamer, Chronogram, Quail Bell, Absurdo Lírio, Punt Volat, Active Muse, BarBar, Apiary, Tule Review, Washington Square Review and elsewhere.

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What We Called Fruit #7

The hive, the honey, the air
as shore, the scraps
of a landscape we measure
as time, today, I thought
about the smoke rising, about
running towards it, even if
it’s too late, even if the what-if
is true again. I could be help.

Poem by Darren C. Demaree

Image by Adam Strong

Darren C. Demaree’s poems have appeared, or are scheduled to appear in numerous magazines/journals, including Hotel Amerika, Diode, North American Review, New Letters, Diagram, and the Colorado Review. I am the author of twenty-three poetry collections, most recently ‘So Much More’ (November 2024, Harbor Editions). I am the Editor in Chief of the Best of the Net Anthology and Managing Editor of Ovenbird Poetry. I am currently living and writing in Columbus, Ohio with my wife and children.

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You Won’t Believe This

you won’t believe this
the way you died was so
sudden and casual
like a cord ripped
still sparkling
from its socket
and the funny thing
the icing on a cake
was that the only person
I wanted to talk to about it with
was you.

Poem by Bre D’Alessio South

Image by Adam Strong

Bre D’Alessio South is a writer based in Massachusetts. Her work has been featured in the Texas Review, Maudlin House, sames faces collective, BarBar, Moria, and bullshit lit. She is a 2025 best of the net nominee.

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Dust

It’s simple, 

I am not beautiful enough to stop anything. 

I would be ok dying with a witness, 

Becoming nothing,

Having meant to at some point. 

It’s not just me—the train was tipping,

The joke was funny, 

Nature was always there 

And I was never out of hope 

Long enough to love it.

Poem by Em Seely-Katz

Photo by Adam Strong

Em Seely-Katz is the creator of the fashion blog Esque, the News Editor of HALOSCOPE, and a writer, stylist, and anime-watcher about town. You can usually find them writing copy for niche perfume houses or making awful collages at @that.esque on Instagram.  

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from land fall

Things are easier to encompass
when they are young.
My mother spent her Sundays
choking weeds in the
garden. It has become a jungle
of dandelions and

gravel and before night killed day
out of envy,
out of pure goddamn spite, she
complained to me that the
neighbors stole her idea to
build a greenhouse.


What isn’t yours won’t appear
in front of you.


We watch Dead Poets Society,
I know he is set to die within
the first ten minutes,
some people are set to die in
the rising action and my sister
howls and curses me for my

cleverness, my goddamn
wickedness. My mother
looks at me with astonishment,
asks me, “How did I know?”

How was I supposed to tell
her I just did. Same way I
knew magic does not work
if there is a mirror present and she praised my mind and crooned over
my face.

“How did you get
so beautiful?” She would
always ask and I would tell
her I never knew, but I did
and I do, same way I can spot
what comes before it does.

It is because of her, and in
spite of her and in conjunction
with the fact that the beginning
has choked her out and she
is gone for good, for
goddamn good, I hope.

Image by Adam Strong

Photo by Seoyul (Judy) Kim

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Clapping Wayside Norm 

It’s hopeless to try when things like that become the norm. Summer stops and winter tops, never to find it again. No matter how far you look, there’s always more. The stops and starts and the walks in the park, all going without a clue. Bright meadows and false loops, steadily careening into a new year: heavy-handed at the tremors, wishing and bearing fruit despite the distance gone. Shambles clap up and shine, walking on false starts. Thereabouts it doesn’t matter what goes wrong, when it’s all neglected. Sloppy justice does some of it, while others clap off and try again another time. Bones upon bones and hunger, always the hunger and thirst. Sleights of hand sometimes arise out of nothing, when they dance and chance upon the wall. Thoughts go into thimbles and cave in, happy as can be. Rotting on the shorelines without a doubt, sitting in a stuffy library and trying to find a way. Tired without a cause? Loose-fed on the blankets, grinding it out. Who cares when there’s nothing in the air? No momentum, no shimmer, no bliss. Huge branches sway and clap hands with the pond by the wayside, hoping for the best. 

Poem by Eero Herttola

Image by Adam Strong

Eero Herttola is a Finnish writer exploring abstraction and creative association, drawing inspiration from literature, visual art, and imagination. He also enjoys electronic music, early morning walks, and pondering how to fix everything.