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Adrift

The rain had turned to glass or something like it. It shredded the woods, diced cars in car-parks, roared through slate-tiled roofs. As it gathered into the rivers they swelled, cut through their banks like bristling glaciers. But it passed in a wave; if you’d escaped it you couldn’t understand it. A farmer brought in a bullfrog he’d found encased in a vitreous slab the size of a labrador. When they cleared the roads it didn’t melt but clogged, growing sticky around the edges. A wave of it coming down through Reading carried off Piper’s Island, the footbridge flapping to one side like a broken wing. There were people inside but they didn’t seem to mind, there was beer at the bar and comfy chairs from which to enjoy the changing view as they swept into London. Coastguard helicopters fluttered overhead dangling rope-ladders as the tiny island dragged past the remains of the Thames Barrier east of the City. They blasted evacuation orders but the people weren’t listening, they were dancing the conga now. Past Gravesend it started to list a little and the Coastguard just had to give up; after all they had other issues to attend to.

Flash by Geoff Sawers

Image by Adam Strong

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Ornament

The sound of glass shattering. The house stops. I had a lot of feelings. “It was an accident!” my daughter cried. I know, Sugarpie, I know. A heavy, glass ornament is an accident from the start. The ornament was half-filled with sand and shell-bits my aunt gathered from the beach where we had released my mother’s ashes into the ocean. Cancer is an accident of cells that eroded my mother’s body, while the multiplication of cells that became my daughter evolved mine. The double helix of life and death had me windswept, has me still. Nothing is still; now a scattering of sand on my floor. The poetry of life is swept into the dustbin of our days along with everything else. I carefully sweep the sand and glass from the ornament, pinching some to put in a jar, saying Goodbye – again – and my tears, sisters to the saltwater that holds my mother’s ashes, bless my cheeks. My daughter holds the dustbin.

Prose by Allison Winningstad

Photo by Adam Strong

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Night-time at five

already night-time 

at five o’clock this evening,

and unseasonal, 

uncomfortable warm.

the city is wearing 

its large muddy overcoat,

leaving the office

and attempting to swagger 

the quays.

carrying an umbrella 

which thrashes 

like a panicking partridge

caught in a hand 

by the legs,

holding a bag 

with a laptop, 

some pens

and some notebooks, 

dodging the splash

of a passing inconsiderate taxi.

Poem by DS Maolalai

Image by Adam Strong

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Wild Birds

Another night of shadows creeping along the walls in soldierlike formation leaving illuminated strips in their wake: part of a painting, a curtain, a photo on the dresser covered in dust.

A slit of fresh air carries competing bird songs. Ceaseless cries of doves in flight or about to take off, cooing like babies. You want to pick one up and feel its smoothness, seeming filled with gel, the flattest shade of brown, like a cookie.

At five am shadows travel in an endless roundabout, cajoled by darkness and the distant light of traffic bouncing into the bedroom.

Mush-mouth, mush-brain. Another get up and go traveling round and round throughout the day like shadows circling a room. Barely knowing yourself or others. Small, see-through knowledge, anymore just wondering how to touch a wild bird.

Image by Adam Strong, Poem by Susan DeFelice

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friable

the mind less scroll

less mind, the scroll

scroll the mind less

the scroll, less mind

mind less, the scroll

Heather Brown Barrett’s poetry has been published by Superpresent Magazine, SEZ Publishing, and won Honorable Mention in the poetry category at the Hampton Roads Writers 2019 Writers’ Conference.

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Pain

I hurt all over most of time.

Fractured vertebrae thoracic.

Left ankle broken, some sweet trick.

Some people think they’re above crime.


Seventh rib on right side fractured.

I hurt all over most of time.

Insurance helps, but on my dime.

Sternum broken; seatbelt secured.


Lower back pain walking in boot.

Rollator use is uphill climb.

I hurt all over most of time.

Whose fault it was, she will refute.


Breathing is rough with sternum slime.

Coughing, clearing lungs is torture.

Does she know, or have they told her?

I hurt all over most of time.

Mona Mehas (she/her) writes about growing up poor, accumulating grief, and the urgency of climate change. As a retired Indiana public school teacher, she spends most days at her laptop with two old cats as chaperones.

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Sobriety, 2022

Here, in the empty warehouse I am reading a whole book about a poem I have never read. From this angle above the pages I only see sky—I could be floating. 

The apartment floor, where a record skips, taunts me with agitated art—like the poem, the book. My fingernails are crooked and chipped, I see, and ink stained (perhaps a hopeful thing)—and every now and then, through haunted blue windows, a hawk devours the sky. 

Flash Fiction by Adam Cheshire, a writer living in the small town of Hillsborough, NC.

Photo by Adam Strong

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Sonnet with Ocean Light

Consciousness tightens then falling away     after

the move to the ocean address     fixed within this

density     a souvenir of vacation days     speaking

the shape of words once forgotten     now recalled

painting with pulses of light     there is always

photographic evidence     a deck     a table with

angled edges     the smell of salt in the breeze     a dead

thing near the water’s edge     where a metal jacket

had pierced its soul     and all that still remains

is bone     day’s end flaring orange     redeeming

darkness until spinning back into morning

the new day dawning pearl     dawning iridescent

the oven overflowing with the odor of breakfast

butter brushed and baked like a winter roll.  

Poet and songwriter Paul Ilechko lives with his partner in Lambertville, NJ. He is the author of several chapbooks. His work has appeared in a variety of journals, including The Night Heron Barks, Feral Journal, K’in, Gargoyle Magazine, and Book of Matches. His first album, “Meeting Points”, was released in 2021.  

Image by Adam Strong

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On the Prowl, 2022

Image@2022Adam Strong

A malignancy of apex predators is on the prowl. They maneuver at night from bar to bar, fanning out as solitary hunters. It’s the birds they’re after. White silkie hen, Blue-throated fantail, Lady Amherst’s Pheasant, and European Shag. They beguile with confabulation, bald-faced lies, and a killer smile. Like poison candy, the birds swallow it all, falling all over themselves preening, tweeting, and chirping, in party-dress pink and lollapalooza-red. But the apex predator turns it on and off like a spigot. No one hears their mournful howl, the subterranean grieving of an imposter; emotions threatening to dysregulate. Prey—idealized, devalued, and discarded.

Karen Schauber’s work appears in seventy international literary magazines, journals, and anthologies. ‘The Group of Seven Reimagined: Contemporary Stories Inspired by Historic Canadian Paintings’ (Heritage House, 2019), her first editorial/curatorial flash fiction anthology. Schauber curates Vancouver Flash Fiction -an online resource hub, and Miramichi Flash -a monthly literary column. In her spare time, she is a seasoned family therapist.

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Not Michael Jackson, 1996

The night you knew what was full of shit and what wasn’t 

was the night you went to see 

A Michael Jackson impersonator. 

In Central London. 

Dinner out & How much money it cost, 

the boozy piss up before 

You got so drunk, and the first five minutes were just occasionally brilliant, 

Then the moonwalk, it wasn’t what Michael was, 

It was a meticulous job, studied, but it wasn’t supposed to be anything than the real thing

This was not the real thing.

The people you were with,  

that you’d followed to England the year after they left the States, 

they thought it was the greatest thing they had ever seen.

you were bored, 

you were very drunk, 

you went home early,

alone.

Image & Poem by Adam Strong